Elementos para la despolitización del cáncer de mama

  1. Ana Porroche Escudero 1
  1. 1 Lancaster University
    info

    Lancaster University

    Lancaster, Reino Unido

    ROR https://ror.org/04f2nsd36

Revista:
Atlánticas: revista internacional de estudios feministas

ISSN: 2530-2736

Año de publicación: 2019

Título del ejemplar: La salud en la teoría y las vindicaciones feministas

Volumen: 4

Número: 1

Páginas: 151-178

Tipo: Artículo

DOI: 10.17979/ARIEF.2019.4.1.5733 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Atlánticas: revista internacional de estudios feministas

Objetivos de desarrollo sostenible

Resumen

O câncer de mama ganhou uma visibilidade sem precedentes no Estado espanhol. Após umas origens preocupadas com a natureza opressora do papel da paciente e com os determinantes sociais da incidência do câncer, as últimas três décadas foram caracterizadas por uma preocupação com o diagnóstico precoce da doença por meio de programas de triagem e campanhas de solidariedade de conscientização. A priori, parece que essa politização progressiva do câncer de mama que o colocou na agenda nacional deve ser comemorada. Neste artigo, argumento que a política entrou em crise, despolitizando a doença sem levantar suspeitas entre os setores mais críticos do país, incluindo o feminista. Volto à crítica da 'super-invisibilidade' do câncer de mama pela antropóloga basca Mari Luz Esteban (2017) para demonstrar como nos encontramos em uma situação em que a premissa 'o fim justifica os meios' colonizou o pensamento coletivo. Essa colonização limita a capacidade de instituições, pessoas, organizações, profissionais e corporações de fazer autocrítica. Não levantamos questões sobre quais questões são tratadas, como a doença é abordada, como as mulheres são representadas e quais questões permanecem silenciadas ou tabus. Para ilustrar a despolitização, apresentarei exemplos dos dois elementos que compõem a supervisibilidade: discursos e práticas hipervisíveis sobre o câncer de mama e aqueles invisíveis. Os primeiros são dominantes, monotematicos e perpetuam mensagens androcêntricas. Os invisíveis raramente chegam à arena pública, principalmente porque questionam o status quo da indústria do câncer.

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Fuente de los datos: Dialnet