El corpus FEMMES.UPanálisis pragmático de los estilos humorísticos en la comedia femenina
-
1
Universitat de València
info
ISSN: 1576-4737
Year of publication: 2023
Issue Title: Etiquetaje pragmático de discursos humorísticos en la plataforma OBSERVAHUMOR.COM
Issue: 96
Pages: 89-99
Type: Article
More publications in: Círculo de lingüística aplicada a la comunicación
Abstract
The present study is based on the classification of styles proposed in the Humor Styles Questionnaire (Martin, et al. 2003). Taking a corpus of stand-up comedy performances, the analysis of the markers used in these examples of humorous discourse aims to reveal which humorous styles are adopted by comedians in performances, and what relationships these comedians have with their own speech styles and communicative intentions. The FEMMES-UP corpus comprises 15 humorous monologues performed by 15 Spanish female comedians. Each performance has been transcribed and divided into humorous sequences, a humorous sequence understood as a series of interventions on a given topic that are interrupted by laughter, applause, and even comments from the audience. In this way, FEMMES-UP yields 504 sequences, amounting to 805 minutes of comedy and 97,749 words. The findings show how female comedians make use of a variety of different humour markers, and distinctive comedic styles, as discursive tactics to represent their intentions as speakers.
Bibliographic References
- Attardo, S. (2017). The general theory of verbal humor. En Attardo, S (Ed). The Routledge handbook of language and humor, pp. 126-142. New York: Routledge https://doi.org/10.4324/9781315731162
- Bell, N. D. (2017). Failed Humor. In Attardo, S. (Ed.) The Routledge Handbook of Language and Humor (pp. 356-370). New York: Routledge. https://doi.org/10.4324/9781315731162
- Bing, J. (2004). Is feminist humour an oxymoron?. Women and Language, 27(1).
- Bing, J. (2007). Liberated jokes: Sexual humour in all-female groups. Humour– International Journal of Humour Research, 20(4), pp. 337-366.
- Cabré, T.M. (2016). Prólogo. Redactar un proyecto, una capacidad adquirida. En Cunha, I. D. (2016). El trabajo de fin de grado y de máster: Redacción, defensa y publicación. Editorial UOC.
- Chiaro, D., & Baccolini, R. (Eds.). (2014). Gender and humour: Interdisciplinary and international perspectives. Routledge.
- Chomsky, N. (1965). Aspects of the theory of syntax. Cambridge.
- Coates, J. (2003). Men talk: Stories in the making of masculinities. Oxford: Blackwell.
- Coates, J. (2007a). Talk in a play frame: More on laughter and intimacy. Journal of Pragmatics, 39(1), pp. 29-49.
- Cooper, C. (2008). Elucidating the bonds of workplace humor: A relational process model. Human Relations, 61(8), pp. 1087- 1115
- Everts, E. (2003). Identifying a particular family humor style: a sociolinguistic discourse analysis. Humor 16 (4), pp. 369-412
- Gilbert, J. (2014). Lesbian stand-up comics and the politics of laughter. In P. Dickinson, A.Higgins, P.M. St. Pierre, D. Solomon & S. Zwagerman (Eds.), Women and comedy: History, theory, practice, (pp. 185-197). Lanham, MD: Rowman & Littlefield.
- Gilbert, J. (2016). Response: Stand-Up and Identity Laughing at Others. In Meier, M. R., & Schmitt, C. R. (Eds.). (2017). Standing Up, Speaking Out: Stand-up Comedy and the Rhetoric of Social Change. Routledge, Taylor & Francis.
- Greenbaum, A. (1999). Stand-up comedy as rhetorical argument: An investigation of comic culture. Humour-International Journal of Humour Research, 12(1), pp. 33-46.
- Grupo Val.Es.Co. (2014).Las unidades del discurso oral. La propuesta Val.Es.Co. de segmentación de la conversación (coloquial). Estudios de Lingüística del Español, 35, pp. 13-73.
- Hay, J. (2001). The pragmatics of humor support. Humor – International Journal of Humor Research, 14 (1): pp. 55–82, ISSN (Online) 1613-m3722, DOI: https://doi.org/10.1515/humr.14.1.55
- Holmes, J. (2000). Politeness, power and provocation: How humour functions in the workplace. Discourse studies, 2(2), pp. 159-185.
- Holmes, J., & M. Meredith. (2002): «Over the edge? Subversive humor between colleagues and friends. Humor, 15(1), pp. 65-88.
- Horowitz, S. (1997), Queens of Comedy: Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers, and the New Generation of Funny Women, Amsterdam: Gordon and Breach
- Kotthoff, H. (2006a). Gender and humour: The state of the art. Journal of pragmatics, 38(1), pp. 4-25. https://doi.org/10.1016/j. pragma.2005.06.003
- Lampert, M. D. & S. M. Ervin-Tripp. (2006). Risky laughter: teasing and selfdirected joking among male and female friends. Journal of Pragmatics 38, pp. 51–72.
- Lauzen, M. (2014). The Funny Business of Being Tina Fey: constructing a (feminist) comedy icon. Feminist Media Studies, 14(1), pp. 106-117.
- Linares Bernabéu, E. (2021). El monólogo humorístico subversivo en español: pragmática, humor verbal y construcción discursiva del género, Madrid: Iberoamericana Vervuert.
- Lockyer, S. (2011). “From toothpick legs to dropping vaginas: Gender and sexuality in Joan Rivers’ stand-up comedy performance”. Comedy Studies, 2(2), pp. 113-123. Doi: 10.1386/cost.2.2.113_1
- Martin, R. A., Puhlik-Doris, P., Larsen, G., Gray, J., & Weir, K. (2003). Individual differences in uses of humor and their relation to psychological well-being: Development of the Humor Styles Questionnaire. Journal of research in personality, 37(1), pp. 48-75.
- Mock, R. (2012). Stand-up comedy and the legacy of the mature vagina. Women & Performance: a journal of feminist theory, 22(1), pp. 9-28. https://doi.org/10.1080/0740770X.2012.685394
- Perez, D. (2017). Every cloud por bien no venga. En Alés, D. & R.M. Navarro Romero (eds.): Micro abierto. Textos sobre stand-up comedy, Madrid, Servicio de publicaciones de la Universidad Autónoma de Madrid
- Ruiz Gurillo, L. (2019). Humor de género del texto a la identidad en español. Madrid: Iberoamericana Vervuert
- Ruiz Gurillo, L. y Linares-Bernabéu, E. (2020). Subversive humor in Stand-up comedy. HUMOR: International Journal of Humor Research, 33(1). DOI: https://doi.org/10.1515/humor-2018-0134
- Russell, D. (2002). Self-deprecatory humour and the female comic. Thirdspace: a journal of feminist theory & culture, 2(1).
- Schnurr, S., & Rowe, C. (2008). The” Dark Side” of Humour. An Analysis of Subversive Humour in Workplace Emails. Lodz Papers in Pragmatics, 4(1), pp. 109-130.
- Schnurr, S., & Chan, A. (2011). Exploring another side of co-leadership: Negotiating professional identities through face-work in disagreements. Language in Society, 40(2), pp. 187-209.
- Schnurr, S., & Plester, B. (2017). Functionalist discourse analysis of humor. In S. Attardo (Ed.), The Routledge Handbook of Language and Humor, Routledge, New York (2017), pp. 309-321
- Tannen, D. (1984). Conversational style: Analyzing talk among friends. Oxford University Press.
- Walker, N. A. (1988). A very serious thing: Women’s humor and American culture (Vol. 2). U of Minnesota Press.