Jazz y cine hasta 1960contexto y paradigmas

  1. Vicente J. Ruiz Antón 1
  2. Francisco Sala Merchán 2
  1. 1 Universitat d'Alacant
    info

    Universitat d'Alacant

    Alicante, España

    ROR https://ror.org/05t8bcz72

  2. 2 Universidad Miguel Hernández de Elche
    info

    Universidad Miguel Hernández de Elche

    Elche, España

    ROR https://ror.org/01azzms13

Aldizkaria:
Quaderns de Cine
  1. Ruiz Antón, Vicente J. (coord.)

ISSN: 1888-4571

Argitalpen urtea: 2023

Zenbakien izenburua: La música para el audiovisual

Zenbakia: 19

Orrialdeak: 81-107

Mota: Artikulua

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Beste argitalpen batzuk: Quaderns de Cine

Laburpena

Jazz and cinema share the era of their beginnings and have evolved while maintaining a close relationship with popular culture. In the interplay between jazz and cinema, it is considered a «jazz cinema», where jazz becomes the subject of the visuals, being the absolute protagonist in documentary films about jazz or an indispensable atmosphere in movies featuring real or fictional jazz professionals. Additionally, there is «cinematic jazz», where jazz serves as a sonic instrument in the development of the dramatic plot. A hybrid intersection exists in the connections between jazz and the film noir genre. We present a historical account that spans from the dawn of this relationship in the silent film era to the end of the 1950s, illustrated with numerous examples (context). We also take a closer look at two iconic films, such as Ascenseur pour l’échafaud (Malle, 1957) y Anatomy of a murder (Preminger, 1959), paradigms.

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