Reflecting on eclecticism in garden heritageThe Monforte Gardens in Valencia as a case study

  1. Marcos, Carlos L. 1
  2. Gómez-Gil, Antonio
  3. García-Doménech, Sergio
  1. 1 Universitat d'Alacant
    info

    Universitat d'Alacant

    Alicante, España

    ROR https://ror.org/05t8bcz72

Journal:
Liño: Revista anual de historia del arte

ISSN: 2341-1139 0211-2574

Year of publication: 2023

Issue: 29

Pages: 127-140

Type: Article

DOI: 10.17811/LI.29.2023.127-140 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Liño: Revista anual de historia del arte

Abstract

Precedent historic styles were analysed and recovered by historicist revisionism and revivalism during the nineteenth century. The lack of a style of its century lead to eclecticism, a trend that involved a merging of diverse ornamental repertories. Accordingly, eclectic garden design employed historic styles of different origins. As the cities grew, suburban gardens were integrated within the urban sprawl. The Monforte Gardens in Valencia represent a relevant case study characteristic of nineteenth century major garden design and development transformations. Most significant are the design resources and strategies introduced in the original design by Sebastián Monléon and, subsequently by Javier de Winthuysen as this research —including a thorough redrawing of the garden layout— gives evidence of. The Monforte Gardens represent an eclectic urban gardening design example in which the different parts maintain their independence without losing an overall unitary concept. Although traditionally considered neoclassical gardens, this research argues they should be properly considered as eclectic romantic gardens.

Bibliographic References

  • Ariza Muñoz, Mª. Carmen (1986): “Los Jardines del Buen Retiro de Madrid”. In: Ciudad y Territorio, 70, Madrid, pp. 3-26.
  • Ariza Muñoz, Mª. Carmen (1979): “Los Jardines del Buen Retiro en el siglo XIX”. In: Anales del Instituto de Estudios Madrileños, XVI, Madrid, pp. 327-378.
  • Assunto, Rosario (1988): Ontologia e teleologia del giardino. Milan: Guerini e Associati.
  • Baridon, Michel (1998): Les jardins. Paysagistes-jardiniers-Poètes. Paris: Michel Laffont.
  • Borrás, Juan (1962): D. Juan Bautista Romero Almenar, Marqués de San Juan, fundador del Asilo de San Juan Bautista. Valencia: Facta.
  • Carrascosa Criado, José (1932): Elementos para el estudio histórico de la jardinería valenciana. Valencia: F. Vives Mora.
  • De Marichalar, Antonio (1933): Riesgo y ventura del duque de Osuna. Barcelona: Espasa-Calpe.
  • De Terán, Fernando (1999): Historia del urbanismo en España III. Siglos XIX y XX. Madrid: Cátedra.
  • Fernández del Hoyo, María Antonia (1981): Desarrollo urbano y proceso histórico del Campo Grande de Valladolid. Valladolid: Ayuntamiento de Valladolid.
  • García-Doménech, Sergio (2015): “Urban Aesthetics and Social Function of Actual Public Space: a desirable balance”. In: Theoretical and Empirical Researches in Urban Management, 10, 4, Bucarest, pp. 54-65.
  • Gómez-Gil, Antonio/García-Doménech, Sergio (2018): “The Romantic Garden of the 19th Century as Urban Public Space: Monforte Gardens in Valencia”. In: Arte y Ciudad, 13, Madrid, pp. 35-56.
  • Haddad, Elie (2010): “Christian Norberg-Schulz's Phenomenological Project in Architecture”. In: Architectural Theory Review, 15, 1, Sydney, pp. 88-101.
  • Marchán Fiz, Simón (2007): Las “querellas” modernas y la extensión del arte. Madrid: Real Academia de Bellas Artes de San Fernando.
  • Morris, William (1893): Gothic architecture: a lecture for the Arts and Crafts exhibition society. Hammersmith: Kelmscott Press.
  • Rodríguez García, Aurora (1996): Historia de los jardines valencianos. Valencia: Mari Montañana.
  • Semper, Gottfried (2004): Style in the technical and tectonic arts, or, Practical aesthetics. Los Angeles: Getty Research Institute.
  • Sitte, Camillo (1965): City Planning According to Artistic Principles, (first published in German in 1889). English translations: George R. Collins and Christiane Crasemann. London: Phaidon Press.
  • Stynen, Andreas (2009): “Une mode charmante: nineteenth-century indoor gardening between nature and artifice”. In: Studies in the History of Gardens & Designed Landscapes, 29, 3, Pennsylvania, pp. 217-234.
  • Turner, James G. (1985): “The wildness pleases: The origins of Romanticism”. In: Journal of Garden History, 5, 2, London, pp. 207-212.
  • Vlad, Liviu B. (2009): “Urban Aesthetics: Emergence and Development”. In: Theoretical and Empirical Researches in Urban Management, 3, 12, Bucarest, pp. 73-78.
  • Vronskaya, Alla (2006): “The transformation of the concept of the old English garden and interpretations of garden history during the nineteenth and early twentieth centuries”. In: Studies in the History of Gardens & Designed Landscapes, 26, 4, Pennsylvania, pp. 267-274.