La representación gráfica urbana en los manuscritos de Leonardo da Vinci

  1. Hidalgo García, David
  2. García Doménech, Sergio
Zeitschrift:
EGA: revista de expresión gráfica arquitectónica

ISSN: 1133-6137 2254-6103

Datum der Publikation: 2017

Titel der Ausgabe: Conversando con... Kathryn Gustafson

Ausgabe: 22

Nummer: 29

Seiten: 128-135

Art: Artikel

DOI: 10.4995/EGA.2017.7345 DIALNET GOOGLE SCHOLAR lock_openOpen Access editor

Andere Publikationen in: EGA: revista de expresión gráfica arquitectónica

Zusammenfassung

Parallel to the important Leonardo da Vinci’s artistic production, the innovations established to graphic representation systems by the numerous drawings of his manuscripts, have been treated traditionally in the background. Within this broad collection of graphics, his topographical and urban maps are even less studied. Firstly, this research, analyze graphic systems of representation used in Leonardo’s architectural studies. Then, it exposes its particular application to urban mapping. Perspective and orthogonal projection were already commonly used during the Renaissance period, but Leonardo improved its use by complementary mix between them, the particular development of bird’s eye view, and the use of colors and intensities in order to improve the quality of altimetric data and urban elements.

Bibliographische Referenzen

  • ACKERMAN, J., 1977. The Madrid Codices Leonardo da Vinci Ladislao Reti. Journal of the Society of Architec-tural Historians, Vol. 36, no.1, pp. 46-50. https://doi.org/10.2307/989156
  • BRUSCHI, A., 1987. Bramante. Bilbao: Xarait.
  • CHÍAS NAVARRO, P., 2009. Historical Cartography in the Study of the Construction of the Territory and the Landscape. Maps and drawings of civil lawsuits in the late Middle Ages and the Renaissance (I). Revista EGA, no.14, pp.50-59.
  • DOCCI, M., 1987. Il rilevamiento architettonico. Storia, metodi e disegno. Bari: Editori Laterza.
  • GRASSA-MIRANDA, V. and GIMÉNEZ MORELL, R-V., 2010. Approach to the Analysis of the Spanish “sistema diédrico” as a Language. Revista EGA, no.15, pp.156-161. https://doi.org/10.4995/ega.2010.1003
  • LOTZ, W., 1985. La arquitectura del Renacimiento en Italia. Estudios. Madrid: Hermann Blume (trad. s.n.).
  • MANCINI, F., 1979. Urbanística rinascimentale a Imola da Girolano Riario a Leonardo da Vinci (1474-1502). Imola: Galeati.
  • MILA, M.A., 2006. Leonardo: Diseñador del futuro, en Conferencias arquitectura y naturaleza., pp. 1-8. Madrid: Universidad de Alcalá de Henares.
  • OBERHUMMER, E., 1909. Leonardo da Vinci and the Art of the Renaissance in its Relation to Geography. Geographical Journal, XXXIII, pp. 540–569. https://doi.org/10.2307/1777084
  • PEDRETTI, C., 1988. Leonardo Architetto. Milano: Electa.
  • TAGLIALAGAMBA, S., 2010. Leonardo & L’Arquitectura. Poggio a Caiano: CB Edizioni.
  • ZOLLNER, F., 2007. Leonardo da Vinci: obra pictórica completa y obra gráfica. Colonia: Taschen. (Translated to Spanish by Luis Muñiz).