El taller literario de Miguel Hernández(entre los clásicos y la vanguardia)

Abstract

The present book is a new tour through the cultural and literary stimuli that determined the work of Miguel Hernández since his beginning. Besides the explicit neo-gongorism, names like Rubén Darío, Gabriel Miró, Jorge Guillén, Federico García Lorca, Apollinaire or the French poems by Rilke; the poetic notes of Herrera and Reissing; or the commemoratrive language used in the centenaries of Lope de Vega, Garcilaso de la Vega and Gustavo Adolfo Béquer take us into a time of war and prision, where the last workshop will be a conjuction between the Classic and the avant-garde, between the popular poetry and the extensive literary culture in which, being self- instructed, a thirty-year-old man had shaped himself over little more than a decade of writting.