Caracterización de Clitemnestra y Agamenón de Esquilo a Séneca
ISSN: 0213-7674, 1989-4619
Año de publicación: 2003
Número: 18
Páginas: 105-128
Tipo: Artículo
Otras publicaciones en: Myrtia: revista de filología clásica
Resumen
The author tries to prove that the musical terminology in Euripides' drama and the introduction in it of some new terms shows the changes of meaning in the most ancient terms. This analysis strenghtens Euripides' image as a musician advocate of the changes that took place in the music of his time.