Del carrete a la pantallauna aproximación a los usos y funciones sociales de la fotografía en los inmigrantes digitales

  1. Cerdán-Torregrosa, Ariadna 1
  2. Espinar Ruiz, Eva 1
  1. 1 Universitat d'Alacant
    info

    Universitat d'Alacant

    Alicante, España

    ROR https://ror.org/05t8bcz72

Aldizkaria:
adComunica: revista científica de estrategias, tendencias e innovación en comunicación

ISSN: 2174-0992

Argitalpen urtea: 2021

Zenbakien izenburua: El análisis de las imágenes en la era de las fake news

Zenbakia: 22

Orrialdeak: 119-140

Mota: Artikulua

DOI: 10.6035/2174-0992.2021.22.7 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: adComunica: revista científica de estrategias, tendencias e innovación en comunicación

Laburpena

The photographic medium has been altered by the digital process, especially accompanied by the popularization of smartphones equipped with high-quality cameras and the development of social media platforms on Web 2.0. The practices and meanings that involve digital photography seem to differ from those of the analogical culture. In this article, applying an exploratory approach, we seek to examine the configurations that emerge around the digital photography, with special attention to its uses and social functions, compared to the time of analogical dominance. In this sense, non-professional photographers, aged between 35 and 50 and considered digital immigrants, have been taken as the target population. Following a qualitative methodology, semi-structured interviews with photo-elicitation have been carried out for an approach to the key reflection spaces in relation to the study phenomenon. Results highlight changes in production, storage, distribution and even remembrance of photographs. The camera, now attached to the smartphone, has allowed photography to become another element of everyday life by being present in all spaces and, indeed, new ways of using it appear. The act of photographing is increasingly linked to the use of social media platforms, where online and fleeting photography takes precedence over paper photography as a synonym for memory. Communication precedes commemoration.

Erreferentzia bibliografikoak

  • Araújo, Camila S.; Corrêa, Luis P. D.; da Silva, Ana P. C.; Prates, Raquel O. y Meira, Wagner (2014). It is not just a picture: revealing some user practices in Instagram. 2014 9th Latin American Web Congress, Brasil, 22-24 octubre 2014. IEEE, 19-23. doi: https://doi.org/10.1109/LAWeb.2014.12
  • Basile, Diego y Linne, Joaquín (2015). Adolescentes y redes sociales online: El photo sharing como motor de la sociabilidad. En: Cuadernos del Centro de Estudios en Diseño y Comunicación, nº54. Buenos Aires: Universidad de Palermo, 17-27.
  • Bell, Beth T. (2019). “You take fifty photos, delete forty nine and use one”: A qualitative study of adolescent image-sharing practices on social media. En: International Journal of Child-Computer Interaction, vol.20. Ámsterdam: Elsevier, 64-71. doi: https://doi.org/10.1016/j.ijcci.2019.03.002
  • Blank, Grant; Bolsover, Gillian y Dubois, Elizabeth (2014). A new privacy paradox: Young people and privacy on social network sites. En: Annual Meeting of the American Sociological Association, Estados Unidos. doi: https://doi.org/10.2139/ssrn.2479938
  • Bourdieu, Pierre (2003). Un arte medio: ensayo sobre los usos sociales de la fotografía. Barcelona: Gustavo Gili.
  • boyd, danah y Hargittai, Eszter (2010). Facebook privacy settings: Who cares?. En: First Monday, vol.15, nº8. Chicago: University of Illinois. doi: https://doi.org/10.5210/fm.v15i8.3086
  • Braun, Virginia y Clarke, Victoria (2006). Using thematic analysis in psychology. En: Qualitative Research in Psychology, vol.3, nº2. Londres: Taylor & Francis Online, 77-101. doi: https://doi.org/10.1191/1478088706qp063oa
  • Chalfen, Richard (1987). Snapshots versions of life. Bowling Green: Bowling Green State University Popular Press.
  • Dhir, Amandeep; Pallesen, Stale; Torsheim, Torbjorn y Andreassen, Cecilie S. (2016). Do age and gender differences exist in selfie-related behaviours?. En: Computers in Human Behavior, vol.63. Ámsterdam: Elsevier, 549-555. doi: https://doi.org/10.1016/j.chb.2016.05.053
  • Diehl, Kristin; Zauberman, Gal y Barasch, Alixandra (2016). How taking photos increases enjoyment of experiences. En: Journal of personality and social psychology, vol.111, nº2. Washington: American Psychological Association, 119-140. doi: https://doi.org/10.1037/pspa0000055.supp
  • Fontcuberta, Joan (2010). La cámara de Pandora: la fotografía después de la fotografía. Barcelona: Gustavo Gili.
  • Fox, Jeese y Vendemia, Megan A. (2016). Selective self-presentation and social comparison through photographs on social networking sites. En: Cyberpsychology, behavior, and social networking, vol.19, nº10. New Rochelle: Mary Ann Liebert, 593-600. doi: https://doi.org/10.1089/cyber.2016.0248
  • Fraga, Andrés y Forti, María A. (2017). New habits in smartphones photo management. En: adComunica. Revista Científica de Estrategias, Tendencias e Innovación en Comunicación, nº13. Castellón: Universitat Jaume I, 135-156. doi: https://doi.org/10.6035/2174-0992.2017.13.8
  • Gómez Cruz, Edgar (2012). De la cultura Kodak a la imagen en red. Barcelona: UOC press.
  • Hand, Martin (2020). Photography Meets Social Media: Image Making and Sharing in a Continually Networked Present. En: Pasternak, Gil (ed.). The Handbook of Photography Studies. Nueva York: Routledge.
  • Hunt, Daniel. S.; Lin, Carolyn. A. y Atkin, David. J. (2014). Photo-messaging: Adopter attributes, technology factors and use motives. En: Computers in Human Behavior, vol.40. Ámsterdam: Elsevier, 171-179. doi: https://doi.org/10.1016/j.chb.2014.07.030
  • Kirk, David S.; Sellen, Abigail J.; Rother, Carsten y Wood, Kenneth R. (2006). Understanding PhotoWork. En: Proceedings of the SIGCHI Conference on Human Factors in computing systems. Canada, 22-27 de abril 2006. ACM, 761-770. doi: https://doi.org/10.1145/1124772.1124885
  • Larsen, Jonas y Sandbye, Mette (2020). Introduction: The New Face of Snapshot Photography. En: Larsen, Jonas y Sandbye, Mette (eds.). Digital snaps: The new face of photography. Nueva York: Routledge.
  • Lindgren, Simon (2017). Digital Media & Society. Londres: Sage.
  • Malik, Adqas; Hiekkanen, Kari y Nieminen, Marko (2016). Privacy and trust in Facebook photo sharing: age and gender differences. En: Program: electronic library and information systems, vol.50, nº4. Bingley: Esmerald Publishing, 462-480. doi: https://doi.org/10.1108/PROG-02-2016-0012
  • Miller, Andrew D. y Edwards, Keith W. (2007). Give and take: a study of consumer photo-sharing culture and practice. En: Proceedings of the SIGCHI Conference on Human Factors in computing systems. Estados Unidos, 28 de abril-3 de mayo 2007. ACM, 347-356. doi: https://doi.org/10.1145/1240624.1240682
  • Mira, Enric (2014). Tras la crisis de la Cultura Kodak: un análisis de la funcionalidad de la fotografía personal en la web 2.0. En: Historia y Comunicación Social, vol.19. Madrid: Ediciones Complutense, 747-758. doi: https://doi.org/10.5209/rev_HICS.2014.v19.45063
  • Okabe, Daisuke y Ito, Mizuko (2003). Camera phones changing the definition of picture-worthy. En: Japan Media Review, vol.29. Los Ángeles: University of Southern California and International University of Japan.
  • Pink, Sarah (2011). Amateur photographic practice, collective representation and the constitution of place. En: Visual Studies, vol.26, nº2. Londres: Taylor & Francis, 92-101. doi : https://doi.org/10.1080/1472586X.2011.571884
  • Prensky, Marc (2001). Digital natives, digital immigrants. En: On the Horizon, vol.9, nº5. Bingley: MCB University Press, 1-6. doi: https://doi.org/10.1108/10748120110424816
  • Ritchin, Fred (2009). After photography. Nueva York: Norton.
  • Rui, Jian R. y Stefanone, Michael A. (2013). Strategic image management online: Self-presentation, self-esteem and social network perspectives. En: Information, Communication & Society, vol.16, nº8. Londres: Routledge, 1286-1305. doi: https://doi.org/10.1080/1369118X.2013.763834
  • Scifo, Barbara (2009). The sociocultural forms of mobile personal photographs in a cross-media ecology: Reflections starting from the young Italian experience. En: Knowledge, Technology & Policy, vol.22, nº3. Nueva Jersey: Rutgers University, 185-194. doi: https://doi.org/10.1007/s12130-009-9080-1
  • Shah, Reena y Tewari, Ruchi (2016). Demystifying ‘selfie’: a rampant social media activity. En: Behaviour & Information Technology, vol.35, nº10. Londres: Taylor & Francis, 864-871. doi: https://doi.org/10.1080/0144929X.2016.1201693
  • Slater, Don (1991). Consuming Kodak. En: Spence, Jo y Holland, Patricia (eds.). Family Snaps. The Meaning of Domestic Photography. Londres: Virago.
  • Thelwall, Mike y Vis, Farida (2017). Gender and image sharing on Facebook, Twitter, Instagram, Snapchat and WhatsApp in the UK: Hobbying alone or filtering for friends?. En: Aslib Journal of Information Management, vol.69, nº6. Bingley: Esmerald Publishing, 702-720. doi: https://doi.org/10.1108/AJIM-04-2017-0098
  • Thomson, T.J. (2021). Exploring the Life Cycle of Smartphone Images from Camera Rolls to Social Media Platforms. En: Visual Communication Quarterly, vol. 28, nº1. Londres: Taylor & Francis Online, 19-33.
  • Van Dijck, José (2007). Mediated memories in the digital age. Stanford: Standford University Press.
  • Van House, Nancy; Davis, Marc; Ames, Morgan; Finn, Megan y Viswanathan, Vijay (2005). The uses of personal networked digital imaging: an empirical study of cameraphone photos and sharing. En: CHI ’05. Technology, Safety, Community. Estados Unidos, 2-7 abril 2005. ACM, 1853-1856. doi: https://doi.org/10.1145/1056808.1057039
  • Winston, Johnny (2013). Photography in the Age of Facebook. En: Intersect, vol. 6, nº2. Stanford: Stanford University, 1-11.
Datuen iturria: Dialnet