Hacer... hablar; hablar... tal vez habitar

  1. Arnau Amo, Joaquín
  2. Gutiérrez Mozo, María Elia
Journal:
[i2] : Investigación e Innovación en Arquitectura y Territorio

ISSN: 2341-0515

Year of publication: 2014

Volume: 2

Issue: 1

Pages: 60-83

Type: Article

DOI: 10.14198/I2.2014.2.05 DIALNET GOOGLE SCHOLAR lock_openRUA editor

More publications in: [i2] : Investigación e Innovación en Arquitectura y Territorio

Abstract

Ornament and Crime and Architecture, the two articles that have undoubtedly helped to spread the ideas and to support the celebrity of the architect Adolf Loos (1870-1933), come from two conferences. Its origin is, therefore, oral nature. And the controversy triggered following them becomes, in his time and for History, in real oracles, whose sense their transcripts, both French and German, partly inevitably distort. Just comparing what was said by the master, and then written and published, with his built work we can restore the original meaning of his thought. This is the hypothesis on which we discoursing. To his words and constructed works it must be added that the architect and journalist's attention, who thus confesses, gives trades and materials that support them, in the way of thinking of Gottfried Semper, as the basis of design. It is therefore in the light of their attendance at the architectural work, and from this to the space of inhabitation, and no from other graphic and photographic documents, as it must be assessed what has been said and written by Loos, if we stick to his own advice. The said is illuminated with what the done. And the fact is authorized by the inhabitation.

Bibliographic References

  • ADORNO, Theodor. Teoría Estética. Madrid: Taurus Humanidades, 1992.
  • ARGAN, Giulio Carlo. El concepto del espacio arquitectónico desde el Barroco a nuestros días. Buenos Aires: Nueva Visión, 1966.
  • ARNAU AMO, Joaquín. La teoría de la Arquitectura en los Tratados. I. Vitruvio, II. Alberti, III. Filarete. Di Giorgio. Serlio. Palladio. Madrid: Tébar Flores, 1987.
  • ARNAU NAVARRO, Juan. Manual de filosofía portátil. Girona: Atalanta, 2014.
  • BANHAM, Reyner. Teoría y diseño arquitectónico en la era de la máquina. Buenos Aires: Nueva Visión, 1965.
  • CHOISY, August. Vitruve. París: F. de Nobele, 1971.
  • GOMBRICH, Ernst Hans. Arte e ilusión y El sentido de orden. Barcelona: Gustavo Gili, 1979-1980.
  • HEGEL, Georg Wilhelm Friedrich. Sistema de las artes. Madrid: Espasa-Calpe, 1947.
  • LOOS, Adolf. Sämtliche Schriften. Viena-Munich: Verlag Herold, 1972. Edición castellana: Ornamento y delito y otros escritos. Introducción de R. Schachel. Barcelona: Gustavo Gili, 1972.
  • MARCHÁN, Simón. Arquitectura, siglo XX: textos. Madrid: A. Corazón, 1974.
  • PALLADIO, Andrea. I Quattro Libri dell’architettura. Milán: Il Polifilo, 1980.
  • PALLASMAA, Juhani. Los ojos de la piel. Barcelona: Gustavo Gili, 2006.
  • RIEGL, Alois. Stilfragen. Berlín, 1893. Edición castellana: Problemas de estilo. Barcelona: Gustavo Gili, 1980.
  • RYKWERT, Josef. La casa de Adán en el paraíso. Barcelona: Gustavo Gili, 1974.
  • SARNITZ, August. Adolf Loos, 1870-1933. Arquitecto, crítico cultural, dandi. Taschen, 2003.
  • SEMPER, Gottfried. Der Stil in dem technischen und tektonischen Kunsten. Mittenwald: Mäander Kunstverlag, 1977.
  • TRÍAS, Eugenio. Creaciones filosóficas. Barcelona: Galaxia Gutenberg-Círculo de Lectores, 2007.
  • VVAA. Adolf Loos: Architecture 1903-1932. The Monacelli Press Inc., 1996. Edición castellana: SCHEZEN, Roberto. Adolf Loos: arquitectura, 1903-1932. Barcelona: Gustavo Gili, 1996.
  • VVAA. Nuevos modos de habitar. New ways of housing. Valencia: COACV, 1996.
  • WITTGENSTEIN, Ludwig. Tractatus logico-philosophicus. Madrid: Alianza, 2002.
  • WÖLFFLIN, Heinrich. Conceptos fundamentales de la Historia del Arte. Madrid: Espasa-Calpe, 1936.