Nueva mujer y nuevas Electrasaproximaciones a la mitología clásica en el teatro burlesco victoriano

  1. Monrós Gaspar, Laura
Journal:
Odisea: Revista de estudios ingleses

ISSN: 1578-3820

Year of publication: 2010

Issue: 11

Pages: 223-236

Type: Article

More publications in: Odisea: Revista de estudios ingleses

Bibliographic References

  • ADAMS, W.D. 1891. A Book of Burlesque. Sketches of English Stage Travestie and Parody. London: The whitfriars library of wit and humour.
  • BAÑULS, J.V., P. CRESPO y C. MORENILLA. 2006. Electra de Sófocles y las primeras recreaciones hispanas. Bari: Levante Editori.
  • BEETHAM, M. 1996. A Magazine of her own?: Domesticity and Desire in the Woman’s Magazine, 1800-1914. New York: Routledge.
  • BLANCHARD, E. L. 1845. Antigone Travesty (British Library Add. MS 42982, F 166- 73).
  • BORNAY, E. 1994. La cabellera femenina. Un diálogo entre poesía y pintura. Madrid: Editorial Cátedra.
  • BROUGH, R. B. 1856. Medea; or the Best of Mothers, with a Brute of a Husband. A Burlesque, in One Act. London: T. H. Lacy
  • BROUGH, R. B. 1861. Perseus and Andromeda. London: T.H. Lacy.
  • DEQUINCEY, T. 1863. The Art of Conversation and Other Papers. Edinburgh: A and C Black.
  • EAGLE, M. K. O. 1895. The Congress of Women Held in the Woman’s Building, World’s Columbian Exposition (Chicago). The Gerritsen Collection of Aletta H. Jacobs. College University Library. 15 Oct. 2007. <http://gerritsen.chadwyck.com>
  • ELIOT, G. 1856. “The Antigone and Its Moral”. The Leader, (29 March), 306.
  • FISKE, S. 2009. Heretical Hellenism: Women Writers, Ancient Greece, and the Victorian Popular Imagination. Athens, Ohio: Ohio University Press.
  • FITZGERALD, P. 1870. Principles of Comedy and Dramatic Effect. London: Tinsley. Frasers Magazine for Town and Country
  • GITTER, E. 1984. “The Power of Women’s Hair in the Victorian Imagination”. PMLA 99, V: 936-954.
  • GREG, W. R. 1874. Rocks Ahead; or, the Warnings of Cassandra. London: Trübner & Co.
  • HALL, E.1999. “Sophocles’ Electra in Britain.” Sophocles Revisited: Essays Presented to Sir Hugh Lloyd-Jones. Ed. J. Grif� n. Oxford: Oxford University Press. 261-306.
  • HALL, Ey F. Macintosh. 2005. Greek Tragedy and the British Theatre 1660-1914. Oxford: Oxford University Press.
  • HURST, I. 2006. Victorian Women Writers and the Classics. The Feminine of Homer. Oxford: Oxford University Press. Ilustrated London News.
  • JAMESON, A. 1832. Characteristics of Women, Moral, Poetical, and Historical, 2 vols. London: Saunders and Otley.
  • JONES, F. P. “The Role of the Clasics in the Emancipation of Women” The Classical Journal. 39, VI: 326-342.
  • JORDAN, E. 1999. The Women’s Movement and Women’s Employment in Nineteenth Century Britain. London: Routledge.
  • MACINTOSH, F. 2000. “Medea Transposed: Burlesque and Gender on the Mid-Victorian Stage.” Medea in Performance 1500-2000. Eds. E. Hall, F. Macintosh y O. Taplin Oxford: Legenda. 74-99.
  • MACKINNON, A. 1910. The Oxford Amateurs. London:Chapman & Hall, Ltd.
  • MERINO PICHILO, G. (1901) 2003. “Electroterapia: humorada en un acto y tres cuadros original y en verso, parodia del drama en cinco actos ‘Electra’”. Biblioteca Virtual Miguel de Cervantes. Alicante. 30 Abr. 2010. <http://www.cervantesvirtual.com/ servlet/SirveObras/paro/01372786433571623089024/index.htm>
  • MITCHELL, D. 1991. “The New Woman as Prometheus: Women Artist Depict Women Smoking”. Woman’s Art Journal. 12, 1: 3-9.
  • MONRÓS-GASPAR, L. 2006. “Rossetti configurando una Cassandra prerrafaelita.” El teatro greco-latino y su recepción en la tradición occidental. Ed. Fr. De Martino y C. Morenilla. Bari: Levante Editori. 405-29.
  • MONRÓS-GASPAR, L. 2009. Classical Myths on the Victorian Popular Stage: the Figure of Cassandra. Tesis Doctoral. Valencia: Universitat de València.
  • MONRÓS-GASPAR, L. 2009. “Diosas cómicas y libertadoras: modelos de mujer en el teatro victoriano” Identidades femeninas en un mundo plural. Ed. Elena Jaime de Pablos. Sevilla: Arcibel Editores. 517-524.
  • MONRÓS-GASPAR, L. “That’s entertainment”. Quaderns de Filologia. Universitat de València. (en prensa).
  • MORENILLA, C. 2003. “La aristeia de una mujer: Clitemnestra domina la escena.” Mitos femeninos de la cultura clásica: creaciones y recreaciones en la historia y la literatura. Eds. R.M. Cid López y M.González González. Oviedo: KRK ediciones. 123-149.
  • MORENILLA, C. 2003. “La irascible Electra.” Revista cuatrimestral de humanidades 39: 19-36.
  • MUIR, K. (1977) 2005. The Sources of Shakespeare’s Plays. London: Methuen.
  • NELSON, C. C. 2000. A New Woman Reader: Fiction, Articles, and Drama of the 1890s. Peterborough, ON: Broadview Press.
  • OFEK, G. 2009. Representations of Hair in Victorian Literature and Culture. Burlington: Ashgate Publishing.
  • POOLE, A. 2004. Shakespeare and the Victorians. London: Arden Shakespeare.
  • PRINS, Y. 1999. Victorian Sappho. Princeton: Princeton University Press.
  • REECE, R. 1868. Agamemnon and Cassandra; or, the Prophet and Loss of Troy, Liverpool.
  • REID, J.D. 1993. The Oxford Guide to Classical Mythology in the Arts (1300-1990s). Oxford: Oxford University Press. 2 vols.
  • RODRÍGUEZ ESCACENA, F. y R. MUÑOZ ESTEBAN (1901) 2003. “¡Alerta!: pseudos-parodia político musical del famoso drama de D. Benito Pérez Galdós “Electra” en un acto dividido en cuadros, en verso.”Biblioteca Virtual Miguel de Cervantes. Alicante. Biblioteca Nacional. Madrid. 30 Abr. 2010.
  • STRAY, C. 1988. Classics Transformed. Schools, Universities, and Society in England, 1830-1960. Oxford: Oxford University Press
  • TALFOURD, F. 1850. Macbeth Travestie. Oxford: E.T. Spiers.
  • TALFOURD, F. 1859. Electra, in a New Electric Light. London: Lacy’s Acting Edition.
  • TAYLOR, W. C., 1866. “The Strong-minded Woman” The St. James’s Magazine, 15, 350-364.
  • WHEELER, G. 2003. “Gender and Transgression in Sophocles’ Electra” The Classical Quaterly, New Series 53, 2: 377-388.
  • WINTERER, C. 2001. “Victorian Antigone: Classicism and Women’s Education in America, 1840-1900” American Quarterly 53, 1: 70-93.