El espacio urbano en la música popularde la apropiación discursiva a la mercantilización

  1. Eduardo Viñuela
Revue:
Trípodos

ISSN: 1138-3305 2340-5007

Année de publication: 2010

Titre de la publication: Les cares de la música. L'audiovisualització de la música

Número: 26

Pages: 15-28

Type: Article

D'autres publications dans: Trípodos

Résumé

The relationship between pop music and the urban space gives rise to a dialectic which affects both the definition of music genres and the social concept of the spatiality of major cities. In this article we examine the representation of different places in Madrid in different video clips, analyzing their discursive meaning and their articulation of identity, related to the values associated with certain artists and repertories; that is to say, the configuration of the urban ethos through its representation in musical production

Références bibliographiques

  • COHEN, S. “Liverpool and The Beatles: exploring relations between music and place, text and context”. En: KASSABIAN, A.; SCHWARZ, D.; SIEGEL, L.(eds.). Keeping score. Music, disciplinarity, culture. Charlottesville: University Press of Virginia, 1997, p. 90-106.
  • KRIMS, A. Music and urban geography. New York: Routledge, 2007.
  • LEFEBVRE, H. The production of space. Oxford: Blackwell Publishers Ltd., 1991[1974].
  • MEZZADRA, S. Derecho de fuga: migraciones, ciudadanía y globalización. Madrid: Traficantes de Sueños, 2005.
  • PÉREZ, I. Espacio, identidad y género. Sevilla: Arcebel, 2009.
  • SOJA, E. Thirdspace: Journeys to Los Angeles and Other Real-and-imagined Places. Oxford: Blackwell Publishing,1996.
  • VIÑUELA, E. El videoclip en España (1980-1995): gesto audiovisual, discurso y mercado. Madrid: ICCMU, 2009.
  • ZÁRATE, M.A. “Imágenes mentales del centro de Madrid. El barrio de Lavapiés”. Boletín de la Real Sociedad Geográfica. Tomo CXXXVII - CXXXVIII (2001-2002), p. 403-423.